Apocalypse Wow! 1995
As an arch-angel saves pin-up girl in this apocalyptic scene, mom and pop are tied & gagged. Animals and kids are flying through the air while the world goes up in smoke.
Archival Giclée print on Somerset Velvet – Signed and Numbered. Limited Edition.
Available in two sizes:
11″ x 13″ (With Border Appx. 12″x18″) – Edition of 100
17 1/2″ x 14 1/2″ • 350.00 – Edition of 50
34 3/4″ x 29″ • 800.00 – Edition of 50
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
Babylon Burning, 1997
High technology in flames as the elite flee the impending doom. A version of this composition illustrated a Kurt Vonneget story in Playboy Magazine, 1999.
Archival Giclée print on Somerset Velvet – Signed and Numbered. Edition of 50.
37″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
Life as We Know It (Demolition Derby), 1987
Used for the cover of Jello Biafra with D.O.A. – Last Scream of the MIssing Neighbors.
Archival Giclée print on Somerset Velvet – Signed and Numbered.
10″ x 13″ (With Border Appx. 12″x18″) – Edition of 100
38 1/4″ x 29″ – Edition of 50
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
Dog is my Co-Pilot, 2000
Used as the cover of Executioner’s – Hellbound (2010).
Archival Giclée print on Somerset Velvet – Signed and Numbered. Edition of 50.
38 3/4″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
The Futility of a Well-Ordered Life, 1990
Archival Giclée print on Somerset Velvet – Signed and Numbered. Edition of 50.
33 3/4″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
God Told Me to Skin You Alive, 1995
The collage on the album cover was created by Winston Smith and is called God Told Me to Skin You Alive, a reference to Dead Kennedys first album, “Fresh Fruit for Rotting Vegetables”. Interestingly enough, the cover art contains an image (the dentist) that was originally used in a collage featured in the insert booklet art of Dead Kennedys’ album Plastic Surgery Disasters. There are also three skulls on the entire album cover– one for each member of Green Day. One of the skulls requires you to view the piece at an angle. The hidden skull is taken from Hans Holbein’s 1533 painting The Ambassadors.
Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered. (See Editions Below)
Available in four sizes:
10″ x 10″ – Edition of 100
18 1/2″ x 18 1/2″ – Edition of 50
24″ x 24″ – Edition of 50
29″ x 29″ – Edition of 100
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
Hidden Wimmin, 1988
Archival Giclée print on Somerset Velvet – Signed and Numbered. Edition of 50.
39″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
How ’bout a Little Safe Sex? 1987
Archival Giclée print on Somerset Velvet – Signed and Numbered. Edition of 50.
36″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
Idol, 1978
Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.
Available in three sizes:
12″ x 18″ – Edition of 100
16″ x 24″ – Edition of 50
27″ x 41″ Edition of 50
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
It’s for You (Anno Domini), 1997
Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered. Edition of 100.
14 1/2″ x 18 1/4″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
325.00
The Money Tree, 1983
A modified version of this was used for the cover of The New Yorker (April/May 2000).
Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered. Edition of 100.
31.7″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
Right Tool for the Right Job, 1997
Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered. Edition of 50.
36 1/4″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
Santa is my Co-Pilot, 2002
Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered. Edition of 50.
38 3/4″ x 29″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
800.00
Satan is my Co-Pilot, 1998
Used as the cover of “Artcrime,” The Montage Art of Winston Smith Volume II.
Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered. Edition of 50.
Available in two sizes:
18″ x 14 1/2″ • 325.00
36″ x 29″ • 800.00
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
On the Threshold of a Dream, 1989
Archival Giclée print on Somerset Velvet – Signed and Numbered. Edition of 100.
29″ x 20″
NOTE: Dimensions are for “live” area. There will be an additional 2″ border.
475.00
Prices do not include shipping.
Thank you!
