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Classic Prints Available from WinstonSmith.com

August 20, 2011 By chick Leave a Comment

Apocalypse Wow!  1995

Apocalypse Wow!  1995

As an arch-angel saves pin-up girl in this apocalyptic scene, mom and pop are tied & gagged.  Animals and kids are flying through the air while the world goes up in smoke.

Archival Giclée print on Somerset Velvet – Signed and Numbered. Limited Edition.

Available in two sizes:


11″ x 13″ (With Border Appx. 12″x18″) – Edition of 100

17 1/2″  x  14 1/2″  •  350.00 – Edition of 50

34 3/4″ x 29″  •  800.00 – Edition of 50

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.


Size



Babylon Burning,  1997

Babylon Burning,  1997

High technology in flames as the elite flee the impending doom.  A version of this composition illustrated a Kurt Vonneget story in Playboy Magazine, 1999.

Archival Giclée print on Somerset Velvet – Signed and Numbered.     Edition of 50.

37″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

 

 

Life as We Know It (Demolition Derby),  1987

Life as We Know It (Demolition Derby),  1987

Used for the cover of Jello Biafra with D.O.A. – Last Scream of the MIssing Neighbors.

Archival Giclée print on Somerset Velvet – Signed and Numbered.

10″ x 13″ (With Border Appx. 12″x18″) – Edition of 100
38 1/4″ x 29″ – Edition of 50

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.


Sizes




 

Dog is my Co-Pilot,  2000

Dog is my Co-Pilot,  2000

Used as the cover of Executioner’s – Hellbound (2010).

Archival Giclée print on Somerset Velvet – Signed and Numbered.     Edition of 50.

38 3/4″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

 

 

The Futility of a Well-Ordered Life,  1990

The Futility of a Well-Ordered Life,  1990

Archival Giclée print on Somerset Velvet – Signed and Numbered.     Edition of 50.

33 3/4″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

 

 

God Told Me to Skin You Alive,  1995

God Told Me to Skin You Alive,  1995

The col­lage on the album cover was cre­ated by Win­ston Smith and is called God Told Me to Skin You Alive, a ref­er­ence to Dead Kennedys first album, “Fresh Fruit for Rot­ting Veg­eta­bles”.  Inter­est­ingly enough, the cover art con­tains an image (the den­tist) that was orig­i­nally used in a col­lage fea­tured in the insert book­let art of Dead Kennedys’ album Plas­tic Surgery Dis­as­ters.  There are also three skulls on the entire album cover– one for each mem­ber of Green Day. One of the skulls requires you to view the piece at an angle. The hid­den skull is taken from Hans Holbein’s 1533 paint­ing The Ambassadors.

Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.     (See Editions Below)

Available in four sizes:

 

10″ x 10″ – Edition of 100

18 1/2″ x 18 1/2″  –     Edition of 50

24″ x 24″  –      Edition of 50

29″ x 29″ –     Edition of 100

 

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.


Size




 

Hidden Wimmin,  1988

Hidden Wimmin,  1988

Archival Giclée print on Somerset Velvet – Signed and Numbered.     Edition of 50.

39″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

 

 

How 'bout a Little Safe Sex?  1987

How ’bout a Little Safe Sex?  1987

Archival Giclée print on Somerset Velvet – Signed and Numbered.     Edition of 50.

36″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

Idol,  1978

 Idol,  1978

Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.

Available in three sizes:

12″ x 18″ – Edition of 100

16″ x 24″ – Edition of 50

27″ x 41″   Edition of 50

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.


Size



It's for You (Anno Domini),  1997

It’s for You (Anno Domini),  1997

Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.   Edition of 100.

14 1/2″ x 18 1/4″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

325.00

 

The Money Tree,  1983

The Money Tree,  1983

A modified version of this was used for the cover of The New Yorker (April/May 2000).

Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.  Edition of 100.

31.7″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

 

 

Right Tool for the Right Job,  1997

Right Tool for the Right Job,  1997

Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.     Edition of 50.

36 1/4″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

 

 

Santa is my Co-Pilot,  2002

Santa is my Co-Pilot,  2002

Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.     Edition of 50.

38 3/4″ x 29″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

800.00

 

 

Satan is my Co-Pilot,  1998

Satan is my Co-Pilot,  1998

Used as the cover of “Artcrime,” The Montage Art of Winston Smith Volume II.

Archival Giclée print on Somerset Double Weight Velvet – Signed and Numbered.     Edition of 50.

Available in two sizes:

18″ x 14 1/2″     •     325.00

36″ x 29″     •     800.00

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.


Size



 

On the Threshold of a Dream,  1989

On the Threshold of a Dream,  1989

Archival Giclée print on Somerset Velvet – Signed and Numbered.     Edition of 100.

29″ x 20″

NOTE:  Dimensions are for “live” area.  There will be an additional 2″ border.

 

475.00

 

 

Prices do not include shipping.

Thank you! 

 

 

 

Filed Under: News

Latest Works

July 10, 2011 By chick 1 Comment

"King Chrome" © Winston Smith, 2011

 

"Crystal Ball" © Winston Smith, 2011

 

"From a Buick Eight" © Winston Smith, 2011

 

"The Late '58" © Winston Smith, 2011

 

"Tomorrow Knight" © Winston Smith, 2011

 

 

Filed Under: News

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